|Cover, A Hangman for Ghosts|
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|Cover, A Hangman for Ghosts|
A Hangman for Ghosts
Top Five Books (Jul 1, 2018) Softcover $15.99 (288pp) 978-1-938938-28-3
Set in the roiling, corrupt world of an 1829 prison colony, Andrei Baltakmens’s A Hangman for Ghosts is a historical mystery that brings regency-era Australia to life.
Gabriel Carver, the hangman of Sydney, is dark, lonely figure. Soaked in rum and regret, Carver becomes an unlikely detective when a woman from his past is accused of murder. As Carver follows the clues through Sydney’s underbelly, he encounters a cast of bleakly Dickensian characters, from whistling streetwalkers to baby-faced policemen. As he works to solve the murder, the mystery of Carver’s own origins unravels as well. With rich historical details that evoke Australia’s early colonial days, this is a wonderful, traditional novel.
A Hangman For Ghosts is Baltakmens’s second novel. With a PhD in English literature with a focus on Dickens, he’s well versed in his subject, but the Sydney that Carver stalks through is neither dry nor academic. Baltakmens depicts a filthy, unpredictable, densely populated society where transported convicts mix with sailors and “fallen women.” Descriptions have a dreamlike quality, as though seen through antique glass: a woman is “too bright, fatally bright, for her skirts were on fire, a river of flame in the dark.”
The novel does lean a bit on the Dickensian tradition, and some chapters feel repetitive, as though serialized; however, the mystery’s thread keeps spinning at a satisfying pace. Folding in vivid details, bright characters, and compelling dialogue, the story is a page-turner, a savory treat to be devoured.
This delightfully grim historical mystery is true to Dickens’s style, and holds on to its secrets with tight, clammy fists. CLAIRE FOSTER (July/August 2018)
Disclosure: This article is not an endorsement, but a review. The author of this book provided free copies of the book to have their book reviewed by a professional reviewer. No fee was paid by the author for this review. Foreword Reviews only recommends books that we love. Foreword Magazine, Inc. is disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255.
Baltakmens (The Raven’s Seal, 2012), echoing the voices of 19th-century masters like Conrad and Melville, combines adventure and mystery in a high-stakes tale of class, morality, and justice.
"Gabriel García Márquez meets Umberto Eco meets Jorge Luis Borges for a sprawling magic show." - The New York Times Book ReviewAnd, to some extent, The Shadow of the Wind, by Carlos Ruiz Zafon, reflects all of these influences. There is an element of the family saga and national history (Marquez), a literary thriller (Eco), and meta-textual play (Borges). There's no reason why these elements cannot cohere in a novel that is both tremendously popular and intellectually challenging, but The Shadow of the Wind does not quite live up the the challenge of this lineage. This is because, whereas Borges, Eco, and Marquez were all writers of the higher order, none of them were sentimental, or prone to melodrama, as Zafon is.